|
|
Saturday night Fever
| "Saturday night Fever" has
been one of the most significant events of cinema, typical of the
70's, that created the "disco" phenomena throughout the
world. It all started in the suburbs of Brooklyn where the English
reporter of the New York Times, Nick Cohn, was writing a piece on
the violent areas of the city. Accompanied by a "black disco"
dancer, they passed by a night-club were he saw a group of teenagers
crowded in front of the entrance. Amongst them, he noticed a young
man dressed in a suit and tie, who looked fascinating in a special
and indefinable way. This is how, in a brief and blazing impression,
the character of Tony Manero came to life. After the publishing
of his article, Chon received a telephone call from the producer,
Robert Stigwood. He had realised immediately that it would have
been the subject of a great film. Stigwood asked Norman Wexler to
write the script and John Badham to direct the film. At the same
time, he gave John Travolta three parts. The first one would be
Saturday Night Fever to be followed by Grease, when Stigwood re-created
the strong team with Paul Nicholas and David Ian that had brought
them on the West End stage. All this brought to one of |
 |
|
the greatest and most spectacular shows that had ever
been shown in the West End. Saturday Night Fever is, no
doubt concentrated on dancing, and the importance of the
dancing in this production is emphasised by the fact that
the choreographer, Arlene Phillips, is also the director.
Tony Manero's life is really a universal myth that teenagers
and all generations of all cultures relate to.

|
|
|